School Gym
Walking out of the boy's locker room on sneakers that send me bouncing just a bit, I push open the door and step onto the shiny maple floors. My shoes squeak with every step. The smell of rubber mingles with the reverberations of teenagers shouting and running around with the soccer ball. They push for position, yelling for the ball so they can swing their leg with full force, slamming the ball into the bank of bleachers that smack loudly on impact. Now two of these adolescents collide followed by the thud of elbows whacking the floor. One of them, now grimacing, grabs his arm, muttering curses. Our gym teacher blows his piercing whistle to halt the scattered boys and give us instructions. This won't be as fun as the spontaneous match that he interrupted.
Premiere of Jesus Savior of the World
We're thrilled at the fantastic launch of the new hymn Jesus Savior of the World at Redeemer NYC on Sunday, March 16. It was great to be in the middle of 600 people singing this hymn the first time they ever saw it. I look forward to this going far and wide now.
Camille Paglia: The Avant Garde is Over
Something I roughly said 32 years ago while still in college. This applies to music, too.
FTA:
"The avant-garde was a magnificent and revolutionary phase in the history of art, but it’s completely over. Artists and galleries must (in Ann Landers’ immortal words) wake up and smell the coffee! The avant-garde, whose roots were in late-18th-century Romanticism, was a reaction against a strong but suffocating classical tradition. The great modernist artists, from Picasso to James Joyce, were trained in that tradition, which gave audacity and power to their subversion of it.
"But then modernism began to feed on itself, and it became weaker and weaker. As I argue in 'Glittering Images,' there has been nothing genuinely avant-garde since Andy Warhol except for Robert Mapplethorpe’s luminous homoerotic images of the sadomasochistic underground. Everything that calls itself avant-garde today is just a tedious imitation of earlier and far superior modernist art. The art world has become an echo chamber of commercially inflated rhetoric, shallow ironies and monolithic political ideology."